Museum Staff

Mónica Ramírez-Montagut

Museum Director

Dr. Mónica Ramírez-Montagut is the director and chief curator of the museum since 2014. Under her tenure Newcomb has presented innovative projects including "EMPIRE" by artist collective Fallen Fruit, "Per(Sister): Incarcerated Women of Louisiana," "Unfamiliar Again: Contemporary Women Abstractionists," "Marking the Infinite: Contemporary Women Artists from Aboriginal Australia," and solo exhibitions by artists such as KAWS, Mickalene Thomas, Diana Al-Hadid, Andrea Dezso, Hank Willis Thomas, and Kate Clark among others. Ramírez-Montagut received her B.A. in Architecture from the Universidad Iberoamericana in Mexico City and her M.A. and Ph.D. in Architecture from the Universitat Politècnica de Catalunya in Barcelona, Spain. Most recently, Ramírez-Montagut was the Associate Director and Senior Curator for MACLA/Movimiento de Arte y Cultura Latino Americana and previous to that she was the Senior Curator at the San Jose Museum of Art, both in San Jose/Silicon Valley, California. She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Erik Parker, Alejandro Diaz and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as "Cai Guo-Qiang: I Want to Believe," "Zaha Hadid," and "Restoring a Masterpiece: Frank Lloyd Wright‘s Guggenheim Museum"; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright’s idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City’s first—and only—annual festival of contemporary Mexican art and culture. Some of her publications include "KAWS" (Rizzoli, 2010) and "Erik Parker, Colorful Resistance" (Rizzoli, 2012).

Tom Friel

Coordinator for Interpretation & Public Engagement

Tom Friel received a BFA in Fine Art from The University of the Arts in Philadelphia, PA, and an MFA in Sculpture from Cranbrook Academy of Art in Bloomfield Hills, MI. He has exhibited his artwork throughout Chicago, Detroit and Philadelphia, as well as in San Francisco, CA, Omaha, NE and Basel, Switzerland. As an art educator, Friel has taught art classes, art appreciation, and hands-on workshops to kids, teens and adults in various media, as well as art appreciation for over ten years. Past positions include Instructor at the Mainline Art Center in Haverford, PA, Spiral Q Puppet Theater in Philadelphia, PA, The Fairmount Art Center in Philadelphia, PA, where he also served as Assistant Director, and Cranbrook Summer Art Institute in Bloomfield Hills, MI. For Friel, teaching is an extension of his artistic practice. He has also written art and social criticism for badatsports.com, caretsandsticks.com and wowhuh.com, as well as other art publications. Most recently, Friel was Visitor Services Supervisor at Cranbrook Art Museum in Detroit, where he provided supplemental information and education resources to the museum’s visitors and led dynamic exhibition tours.

Sierra Polisar

Collections Manager & Exhibitions Registrar

Sierra Polisar received a B.A. in American Studies from Goucher College and an M.A. in Museum Studies at the University of Leicester. Her most recent position was as an Assistant Loan’s Registrar at the British Library in London, where she worked on exhibitions including “The Magna Carta: Law, Liberty, Legacy” and “West Africa: Word, Symbol, Song.” She collaborated on projects with many notable UK museums, including the British Museum, the Tate Britain and the Bodleian Library. Prior to working in the UK, Sierra worked in Collections Management at the Smithsonian’s National Museum of American History, conducting a collection’s inventory and digitization project. She has also volunteered at The National Archives and at The National Museum of Natural History. Sierra is interested in socially engaged museum practice, and bringing innovation and creativity into collections care. She has researched alternative acquisition processes for performance art and ephemera, and conservation advancements in the preservation of foodstuff as material.

Miriam Taylor

External Affairs Manager

Miriam Taylor received both her B.A. in Journalism and B.A. in English from the University of Mississippi. She went on to receive her Masters in Communications from the Newhouse School of Public Communications at Syracuse University in Syracuse, New York. Most recently she worked as the Communications Manager at the Ogden Museum of Southern Art in New Orleans. Prior to moving to New Orleans, she worked in the communications industry in New York City at magazines such as Fast Company, Harper’s Bazaar, House Beautiful, and Rolling Stone. She has also worked as the marketing director for Wealthview Capital, instructed courses in graphic design at Syracuse University and the University of Mississippi, and volunteered for Thacker Mountain Radio in Oxford, Mississippi and the Mississippi Museum of Art in Jackson.

Laura Blereau

Curator and Coordinator of Academic Programming

Laura Blereau holds an MFA in New Forms from Pratt Institute, and a BFA in Painting from Louisiana State University. She is also an alum of the 2011 Independent Curators International workshop in performance art.

Blereau recently served as Curator at the Hilliard University Art Museum at the University of Louisiana at Lafayette, where she organized a wide range of exhibitions and public programs. A specialist in art and technology, Blereau has also organized hundreds of projects with roster artists of the Bitforms Gallery, where she was a Director from 2005 to 2015. During her gallery tenure, she placed works into major museum collections and crafted strategies for the study of time-based mediums such as new media and software art, kinetic sculpture, and performance.

Her interdisciplinary approach to the visual arts has been shaped by formative work experiences at The Kitchen, Marian Goodman Gallery, the Museum of Modern Art, and the Louisiana Arts and Science Museum; as well as in the art studios of Dorothea Rockburne and Shirin Neshat. Blereau’s writing has been published in connection with exhibitions at Art Basel in Switzerland, the New Orleans Museum of Art, Fleming Museum of Art and Hilliard University Art Museum, among others. Her credits also include Associate Producer of Lynn Hershman Leeson’s 2010 documentary, !Women Art Revolution.